SILVER TROPHY CHALLENGE
Posted: 26 Mar 2020 22:53
The "challenge" here is to get your lighting right in order to photograph something like a highly-reflective Sports Trophy, or maybe the Polished Steel Bascinet from the suit of armour in your castle's great hall. For those peasants who don't possess such things, you might try a Pewter Beer Tankard or even a piece of highly reflective glassware, such as a rose bowl. Failing all else, try looking for polished steel pots and pans in your kitchen. Anything that is highly reflective will do. Failing even that, just wrap something in aluminium foil, with the reflective side out. (But, no cutlery, Mr. Trek!)
So, why is this so difficult? Well, any lighting you use will create a very harsh bright reflection in just one spot, while failing to illuminate the rest of the object. You'll also see undesirable reflections of your equipment reflected in those polished surfaces. How do you illuminate something that throws back too much light in some areas, while stubbornly refusing to be illuminated across its major surfaces?
Why is this a useful exercise? It's a problem I first came across when my Air Cadets Squadron won a few trophies and, being a photography student, I was asked to photograph the trophy collection. Easy, I thought, until I tried and failed, tried and failed, over and over. It is far more difficult than it appears. However, what I learned in this exercise world later allow be to use the reflections we see in highly reflective objects -- like motorcycle helmets and fencing swords -- to create stunning images I later used in my professional advertising photography work.
I'll give you a week or two to experiment. Whatever you try, it'll teach you something you can use elsewhere. After a week or so, I'll come back with a few tips and tricks, as well as telling you how the professionals tackle this most difficult of all subjects.
Have fun, and don't forget to submit your triumphs and disasters (including a wider shot of your setup) in the replies below. Remember, if there's writing on your trophy we need to be able to read it, as the winner of some big competition wouldn't be too happy if they couldn't read their name and the name of the competition they won it for.
This is a bit of a brain teaser that will test your creativity.
Rick Bear
So, why is this so difficult? Well, any lighting you use will create a very harsh bright reflection in just one spot, while failing to illuminate the rest of the object. You'll also see undesirable reflections of your equipment reflected in those polished surfaces. How do you illuminate something that throws back too much light in some areas, while stubbornly refusing to be illuminated across its major surfaces?
Why is this a useful exercise? It's a problem I first came across when my Air Cadets Squadron won a few trophies and, being a photography student, I was asked to photograph the trophy collection. Easy, I thought, until I tried and failed, tried and failed, over and over. It is far more difficult than it appears. However, what I learned in this exercise world later allow be to use the reflections we see in highly reflective objects -- like motorcycle helmets and fencing swords -- to create stunning images I later used in my professional advertising photography work.
I'll give you a week or two to experiment. Whatever you try, it'll teach you something you can use elsewhere. After a week or so, I'll come back with a few tips and tricks, as well as telling you how the professionals tackle this most difficult of all subjects.
Have fun, and don't forget to submit your triumphs and disasters (including a wider shot of your setup) in the replies below. Remember, if there's writing on your trophy we need to be able to read it, as the winner of some big competition wouldn't be too happy if they couldn't read their name and the name of the competition they won it for.
This is a bit of a brain teaser that will test your creativity.
Rick Bear